The Swans of Ireland has its origin from the mythological areas of Ireland. The story about
King Lirs cursed children has the redeeming powers
of art as the main subject, a power so strong it is able
to free the kings children from the spell that was brought upon them, and reunite bitter destinies on both an individual and a collective level.
Mythology and music constitutes equal sizes through the performance of the tale. The text has been rewrote and is told through a dramatic monolog, constantly interrupted by music, song and shadows. The music has the shape, more or less like a symphonic poem, during the entire piece.
This time we have added more to the musical expression with to musicians on stage. Next to Martíne we can hear Nils Jørgen Nygaard, her faithful accompanist on different stringed instruments and piano. He has also made the arrangements for the music.
Behind the scene:
Manuscript: Karen Høie
Music: Martíne Lund Hoel
Music arranged by: Nils Jørgen Nygaard
Director: Svein Gundersen
Costumes: Denise Bredvig
Poster: Original Copy
Producer: Kulturproduksjoner
On stage:
Martíne Lund Hoel: hardangerfiddle, bratsj, nyckkelharp, harp, flute, song
Jørgen Nygaard: gitar, mandolin, bouzoukies, rythm, song and piano
Karen Høie: storytelling, shadows, song
The performance is supported by:
Skolesekken Hedmark, Norsk Kulturråd, FFUK, FFF, Prøvekluten Volda